The Sultry Pin Up Girls of Nic Ter Horst

You can also view this article on The Toronto Animation Arts Festival's blog.

Luscious Legs, anyone? Look no further than the bountiful blushing bombshells of Nic Ter Horst, one of the exhibitors at this year's Toronto Animation Arts Festival Market. Nic works as a clean-up animator at Guru Studio, and is an aficionado of pin up girls in her spare time. She revels in the female form, accentuating hips, lips, and thighs, creating richly sensual portraits of women who revel in the art of seduction. Her subjects from popular culture, including Black Widow, Jessica Rabbit, and Sailor Moon, are strong female characters who are heroes to be reckoned with, and also happen to be amply proportioned (watch out for Jessica Rabbit's booby trap). Other subjects, including burlesque performers and Suicide Girls, perform their seductive art as an act of empowerment, revelling in their own beauty and the teasing of their fans which they actively promote. Nic's ladies demonstrate pride and confidence in the way they consciously present their beauty to the world, and that confidence is a large part of the attraction. I asked Nic about where her fascination with pin up art comes from:

What is your history with pinup art? How long have you been illustrating pinups?

Classic pin ups have always been a huge inspiration for me. Bill Presing's work really got me into the art form I think, and classic beauties like Marilyn Monroe were always intriguing, even before I got into pin up art. I’ve been illustrating pin ups more seriously since I graduated school in the past two years or so, though I’ve always loved to draw the female form.

How do you choose the subjects for your pinups?

I like choosing characters and models who have a classic, confident look. 1920s-50s pin up, burlesque, and advertising have always been a great source of inspiration. Modern pin up and burlesque performers also have a lot of the same attraction, since they’re drawing inspiration from a lot of the same sources, though they often take it in a different direction.

Please describe your artistic process.

I’ll usually find a specific reference, a source of inspiration, or just land on an idea and go from there. I like to start an illustration on paper and work on anything from a thumbnail to a full sketch. After I do the initial sketch I take a photo and move onto digital inks and colour in photoshop.

Why is pin up art important to you?

I find pin up art, photography, and performances to be very empowering, and that’s what I try to show in my art. Women of all shapes and sizes do it, engaging in a series of very flattering angles and poses. The women in pin up are sexy, but not sexualized, desirable, but unobtainable. I also find pin up and burlesque to have a sense of humour around it, and everyone is always smiling.

Are there any models, characters, or burlesque performers that you particularly admire?

I’ve always loved Jessica Rabbit. Recently I’ve realized that she’s probably the character that stuck with me all through my childhood and artistic career pushing me in this direction. As far as real models go, Marilyn Monroe has always been a favourite. As for burlesque, I can’t think of a performer I’ve seen that I don’t admire. Amber Ray was amazing to see, Bianca Boom Boom, Roxi D’Lite… I can’t wait to see some Toronto shows and get some local girls on my radar. St. Stella (pictured above) was fantastic to draw, and I bet she’ll be even more fun in motion.

Anything you'd like to promote?

I have an Etsy store where you can buy my original work, prints, or order a commission.

Thanks Nic! You can follow Nic Ter Horst on Facebook, Instagram, Pinterest, Tumblr, and Twitter.

Stop-Motion Surprise of Rosemary Travale's 'The Champ'

A mom gets her son a very special present for his birthday, though it's not exactly the present she'd planned! 'The Champ,' by Rosemary Travale, is a fun stop-motion film created as her thesis for her last year in the Sheridan Animation Program. The felt puppets she created for the film are cheeky and vibrant, and though the film is brief, her clever use of set design and characterization define a world in which you can imagine the characters living beyond the scope of the film itself:

I could easily watch an entire series of shorts with these characters. Their proportions and expressions are suggestive of a Saturday morning cartoon show, while the stop-motion techniques lend the animation an air of reality. The way Rosemary constructed the boy's room with all the posters and fan art of Brent show an obsession that goes far beyond the scope of the project, suggesting this small piece is part of a larger world. The characters she created are so expressive that they feel larger than the film itself; The excitement of the boy (both before and after being beaten up) is palpable, and the way a frothing Brent shows up uninvited in the boy's room demonstrates a fun internal logic that would make for a very entertaining series. I caught up with Rosemary to ask her a little bit about her work:

Where did the inspiration for 'The Champ' come from?

I’m a big professional wrestling fan, actually! I love the ridiculous high action drama that comes out of it and just wanted to make a film that was fun and would keep me excited since I had to spend a year developing it for my final thesis at Sheridan.

The characters and setting of your film are very vibrant. Can you speak a little bit about the process that went in to the design of the film?

Thank you! Since a big part of this film is a little kid getting the snot beat out of him, I wanted to keep the aesthetic really cartoony and friendly to sort of combat that. I wanted it to come across as silly and funny, a larger than life story with larger than life characters to match. When I first started working out the characters I went with a basic shape to work off of. Large triangle for Brent, rectangle for mom, a little oval for Damien, and a big circle for the Ref. Then just through research and more drawing they developed into what they are. Brent is really inspired by a few specific WWE wrestlers; Bret Hart, Shawn Michaels, and Triple H. The bedroom is based off of the one I had as a kid! Same blue walls, and one covered in posters, though it wasn’t limited to wrestlers.

How long did the project take from beginning to end?

The project was my 4th year thesis film in the B.A. Animation program at Sheridan College. I started working out the idea in August so I could apply for a stop motion studio space at Sheridan, which I thankfully received. Then September to mid December focused on story and character development, as well as the majority of puppet prop and set fabrication and then the rest of fabrication continued in January and moved into animation and post production. The final cut of the film was finished around the start of April.

Who are your artistic influences?

There’s so many! It’s hard to narrow it down really! But I will mention a book that had a huge impact on me as a kid and still to this day: ‘Walt Disney Imagineering: A behind the dreams look at making the magic real’. It’s all about how the Disney Parks are designed, the staging and story telling that goes into every little detail down to things like wall paper patterns. I just poured over those pages as a kid. It’s probably the first thing that really made me realize that I could spend my life making things that other people could enjoy.

What are you working on now?

Right now I’m working on some stop motion projects for JibJab Media and I’ve got a couple personal projects I’m developing as well.

Do you have any advice for aspiring stop-motion animators?

Don’t be afraid to do it! I learned so much from the actual DOING on this project and it’s an awesome thing to be able to see your work improve and come together. It’s easy to just sit on a project forever and keep changing and ‘perfecting’ it, but that doesn’t help you in the long run. Just get going and make the thing you want to make! Once it’s done you can make the next project even better.

I really enjoy your work and look forward to seeing more of it in the future!

Thank you so much! I really appreciate you taking some time to check out my film!

For a deeper look at how the film was made, check out the making of video below. You can view more or Rosemary's work on her website or follow her on Twitter.

A Tribute to Steve Wolfhard's Cat Rackham

Breakdown of a Cat Rackham: a brown, somewhat scruffy, green-shirt-toting, poo-hair having cat with severe anxiety and a surplus of existential crises. Lives in the woods by himself, sometimes getting visits from his friend Jeremy the squirrel, sometimes getting visits from his friend chronic depression, but generally dealing with the dangers of living and the onslaught of sudden despair.

I can't help but love the little guy.

Cat Rackham is the brainchild of Steve Wolfhard, a Canadian character designer and comic artist who currently lives in LA and works as a storyboarder for Adventure Time. I don't remember when I first discovered Steve's work, but I do remember that it started with Cat Rackham. Disarmingly cute, Cat Rackham is a lens through which Steve explores his own anxiety issues, and by relating them in such a charming way made it seem much less threatening that I was dealing with similar anxieties. Cat Rackham doesn't always come out on top, but he always keeps on going. He's a character I look up to.

He is a gentle soul with lonerish tendencies, somewhat unkempt and attached to his ratty clothes, overly preoccupied with lofty matters that have nothing to do with his surroundings. With seemingly nothing to worry about he is constantly on edge. His adventures are unsought, generally falling on his head like a tonne of bricks. He is a quiet soul who wants to scrape out a living without being noticed, while at the same time feels as if he's missing out on something important. Basically, he is like many of us. He is instantly recognizable to all his fans as that voice inside them that worries that they're not doing enough, not pushing hard enough, that something is lacking, that fear that stifles them to inaction and doubt, all rolled in to an adorable little package. He is the mascot of those who suffer from chronic anxiety.

With Cat Rackham being a mute character, I am reminded that often anxiety is not given a voice. People often keep their insecurities bottled up inside, letting anxious thought build upon anxious thought until they feel like their mind has become a tangled mess which is impossible to navigate. For those people, Cat Rackham is instantly recognizable. All sufferers of chronic anxiety know what it's like to experience the non-stop pounding of your heart (see Cat Rackham Can't Sleep Because He Thinks He's Having a Heart Attack), and the times when you just can't muster up the drive to do or accomplish anything (see Cat Rackham Gets Depression). I admire Steve for his frank portrayal of these heavy themes in his work, as these events are when we're at our lowest and are not always easy to reflect on. For him, perhaps, Cat Rackham works as an outlet through which he can relate these feelings to people who don't suffer through them, or perhaps it is an attempt to rise above those feelings by giving meaning to them in the form of art. No matter the reason, having someone to relate your worries to, where anxiety sufferers often have trouble speaking up, is extremely important for a person's well-being. Anxiety sufferers often don't realize that they're not alone, that those feelings are commonplace for so many people in the world, and Cat Rackham is powerful in that he reaches out to those people and reminds them of this simple fact, and it gives them strength.

Not to say Cat Rackham comics are all doom and gloom. Steve Wolfhard's comics have a distinct sense of fun. During the course of Cat Rackham's misadventures he often works to help others in need (see Comforts of Life) or interacts with his cute but very confused friend Jeremy the Squirrel (see Even Cat Rackham Needs Friends). We see that though Cat Rackham rarely goes out of his way to find companions, he is extremely likeable and attracts people to him (something people who have social anxiety have a lot of difficulty with). He doesn't try to hurt anybody, and though life tends to send him through the ringer, he continues to keep on moving. He reminds us that life is often hard and unpredictable, and though we sometimes can't help but worry, the only thing you can do is carry on, and often things will work out for the best if you let them. Particularly when you have a parasitic mushroom growing out of your head!

In my mind Cat Rackham is a folk hero to the depressed, a champion to the easily panicked. He reminds us that we're not suffering alone, that there are likeminded others out there who are similarly affected, and most importantly that life has moments of beauty and clarity even when we're feeling at our lowest (see Cat Rackham is Sometimes Too Sad to Sleep). Thanks Steve!

You can check out Steve Wolfhard's collected works on his website.

Cuphead and the Golden Age of Cartoons

Perhaps the most impressive looking game shown at this year's E3, Cuphead, by Studio MDHR, is a run and gun sidescroller drawn in the style of cartoons from the 30s. The art style immediately evokes the animation of Max Fleischer, a king of the golden age of cartoons. Among his creations are Bimbo (pictured to the right of Cuphead), his bombshell girlfriend Betty Boop, and Popeye (who was originally a comic strip character whom Fleischer bought the rights for and launched to international stardom, briefly even eclipsing the popularity of Mickey Mouse). The visual style of Cuphead is an animation fan's fantasy, and it's looking to be a genuinely fun co-op gaming experience. Studio MDHR's plans are ambitious to say the least:

"With Cuphead, we aim to evolve the genre by adding new features such as: super arts, infinite lives, a playable world map and hidden secrets. In addition to that, we will have refined controls, additional boss patterns on harder modes and balanced weapons to equip (that you don’t lose!). We plan to release 10-15 bosses per episode and end up with over 30 bosses. If all goes as planned, we will defeat the current “Guinness World Record for Most Boss Battles in a Run and Gun Game”[25 total])."

As far as I'm concerned, the game already holds a world record for the number of ways it enters my heart. Not only is the cartoony nature of the game fantastic, but the devs are drawing their gameplay influences from pinnacles in the run and gun genre including Gunstar Heroes, Contra III, and Mega Man X. The animation in this game is looking super smooth, and the main characters, Cuphead and Mugman, zip through the stage with the omnipresent grin of the black and white cartoon character, and emote handsomely as they take damage or shoot pellets with a snap of their fingers. The enemies showcased are similarly impressive, sporting smoothly animated attacks and sinister grins. Studio MDHR promises variety in the types of boss fights you encounter, from a cranky sea captain to a rampaging flower, and variety in the strategies required to beat them. So far the footage shown of the game has been limited, but perhaps that's for the best as if I saw more at this point I'd want a copy right now in my grubby little hands. The game's release has been pushed back to 2015, and I'll be waiting impatiently for its arrival.

You can visit Cuphead on his official website, or Studio MDHR on Facebook and Twitter.

Snap, the Pinnacle of Norwegian Humour

Created by the twin Norwegian brothers Tommy & Markus Vad Flaaten (with drawings contributed by Gabrielle Tabitha Rose Ghendi, a girl with an amazing name), "Snap" is about a girl who discovers during school that when she snaps her fingers she can stop time. She soon regrets this discovery however as this power comes with unintended consequences.

I am a huge fan of the simple cutout animation style which makes the world feel like a notebook full of a child's doodles, a very fitting style for the subject matter. The characters are not only well drawn, but the expression on the frustration on the teacher and the intensity of the little girl were so exaggerated as to put a huge smile on my face. The action ramps up quickly, and the best praise I can give it is that it reminds me so much of Don Hertzfeldt's Rejected Cartoons.

You can follow the Van Flaaten bros on Facebook and Tumblr.

Korra Book 3 Trailers

What do you do when Nickelodeon Mexico accidentally airs episodes of The Legend of Korra Book 3? Make a fan trailer of course! Youtube user Bigby Wolf has compiled footage of the show that is making us drool in anticipation.

SPOILERS FOR BOOK 3!

This looks like it's going to be a pretty heady season. A lot of the action seems to take place all over the world of Avatar rather than just in Republic City, which makes me nostalgic for the Adventures of Aang. In the hitherto unvisited Earth Kingdom, we see some new characters, including a boy who can enigmatically use air bending and a large man with a scar above his left eye who, based on his moves with a staff, might be able to air bend as well. Bolin meets an attractive lady who appears to be an Earthbender (come on Bolin, get some!). Lin Bei Fong seems to have some sort of flashbacks about attacking her sister with whom she had beef, resulting in her scar. There is a sparky sparky boom gal, and yes, we finally get an appearance from the Fire Lord himself, Zuko. We even get to see a red, fire breathing dragon streak across the sky. Of course, all this leaves us with more questions than answers, but damn, does it ever whet the appetite for more adventures in the world of Avatar!

EDIT: Nickelodeon has released the official trailer for Book 3.

This trailer is as enigmatic as the leaked footage trailer, but showcases some new footage that suggests that, perhaps as a result of the merging of the spirit and human realms, more people are able to bend elements they previously were unable to, or be able to bend who were previously non-benders, including Tenzin's brother Bumi. The action looks amazing. With the sparky sparky boom gal on the scene, these trailers beg the question: who are the main antagonists this season? So many mysteries - can't wait to explore them properly when Book 3: Changes arrives on television!

What We Hope To See From Nintendo's E3 Livestream

It's E3 time! Tomorrow Nintendo is holding their live stream event starting at 9AM PST with information on games we've been waiting desperately for and the promise of the announcement of new games to come. The so far unseen Zelda for WiiU is going to be showcased, and a large focus is going to be on Smash Bros. for WiiU and 3DS. It's no secret that Nintendo has been having fiscal problems, part of which they plan to solve by creating a line of figurines that you can link to your games a la Skylander or Disney Infinity, but Nintendo's success has always been in its ability to delight its fans not with gimmicks but with games that are truly fun, epic in scope, and full of character. I may not work for Nintendo, but I am pretty sure we I what Nintendo needs to work on to get back on track:

A New Metroid Game: Whether first person or side-scrolling, Nintendo has been sorely lacking recently in titles starring everyone's famous bounty hunter Samus Aran. Set in the backdrop of space, hunting space pirates and solving the mystery of the jellyfish-like metroids, her adventures are truly worthy of a new installation. Retro Studios proved that Metroid could be pulled off well in first-person, but taking a cue from all the Metroidvania indie projects out there I'd even enjoy a retro side-scrolling Samus adventure. Like Zelda, Metroid is one of Nintendo's darker franchises, and it would be great to see Nintendo flex its creative muscles to bring this fantastic series into a new generation.

A New Starfox Game: If you believe this leaked Document listing Nintendo's titles being showcased at E3, this may soon be a reality! Fox, Falco, Peppy and Slippy have been languishing on Corneria, and it's about time for their return. An HD version of Star Fox on WiiU would probably be one of the most beautiful titles the system would produce, and the 3DS would loan itself well to Star Fox, giving players the option to use traditional or gyro controls and allowing for three-dimensional combat with friends over Wi-Fi. It's time to get mad at Slippy again!

A Brand New Franchise: Pikmin came out in 2004 to great acclaim, and while perhaps Nintendo would be reluctant to put their faith in a new product considering their financial straits, some new blood might just be what Nintendo needs to reinvigorate their image. Nintendo is nothing if not inventive, and probably has all kinds of ideas floating around just waiting to be developed. Be brave, Nintendo!

More Co-Op Games For 3DS: My poor 3DS is just dying for new games that I can play with my friends. Mario Kart 7 has been usurped by Mario Kart 8, and though Smash Bros. is coming out soon, there simply aren't enough co-op options for the delightful handheld. Streetpass and Pokemon are all well and fine, but the handheld has so much potential for real-time fierce multiplayer matches or engaging co-op with each player having their own screen. Consider perhaps a Mario game that has four player co-op like its WiiU's Super Mario 3D world over wi-fi, or (I say again) Star Fox space battles. Help me get my game face on, Nintendo!

A Console With Less Gimmicks: We're not likely to see it this E3, but how amazing would it be to have Nintendo go back to the basics with their consoles, pumping in a little more power and having standard controllers as default (I still think the N64 controller was the best). Perhaps then it would be easier for Nintendo to re-attract the third party games that they desperately need to provide a much-needed source of income. I admire Nintendo's inventiveness and do feel that it has a place, but this really ought to be secondary to creating great software. Also, playing Mario Kart 8 with a wii-mote and nunchuck just doesn't feel natural.

Localize Mother 3: This is reaching a bit. Fans of Earthbound have been dying for Nintendo and HAL Labroatory to release this Japanese-only cult-classic in the North American market. Written by Shigesato Itoi and directed by Nobuyuki Inoue, Mother 3 is the sequel to the wildly popular RPG Earthbound, a game with deceptively light themes that is also emotionally resonant and philosophical. Fans who have played the sequel's online fan translations say that it is even more profound than its predecessor, so shut up and take my money, Nintendo and HAL!

More Donkey Konga: Who doesn't love bongos? Louie Louie by the Kingsmen? I'm shocked that Nintendo hasn't released a bongo peripheral for WiiU yet considering how vastly popular this franchise was. Bang and bong along to you favourite B-list songs from the 90s and general obscurity with Donkey and Diddy Kong. Step 1: Bongos. Step 2: ???. Step 3: Profit!

Agree? Disagree? Anything else you think Nintendo needs to work on? Comment below!